Showing posts with label Caine Prize Anthology. Show all posts
Showing posts with label Caine Prize Anthology. Show all posts

December 03, 2018

The Caine Prize for African Writing 2018 Anthology

We're approaching the end of another year and so it's time for my annual review of the Caine Prize for African Writing Anthology. I've been reviewing the Caine Prize Anthology on this blog site since 2015! I find great pleasure and excitement in reading short stories from new voices and familiar voices every year. 

As always, I preordered my copy of this years anthology, Redemption Song and Other Stories,  off Amazon but I didn't get to reading it until November in advance of this month's book review blog post. I found Redemption Song and Other Stories disappointing. Right off the bat I found myself skipping stories either halfway through it or after a careful perusal because of an underwhelming opening paragraph or first page. I could not find any story in that collection that I could get through. In light of this I've decided to break tradition and skip this years review of the Caine Prize Anthology. I ended up donating my copy of Redemption Song and Other Stories to the GoodWill store near me because I've made a resolution to only keep books I've read and books I plan to read on my book shelf. I found it necessary to make that resolution because I had so many half finished books abandoned on my shelf causing clutter. I considered not discussing this but I think it's necessary. 

This does not change anything. I will always review the Caine Prize Anthology for as long as this blog is active. I'm already anticipating the literary treasures next year's Caine Prize Anthology will bring. Catch up on previous book reviews of this anthology! 

Sincerely, 
Osondu Awaraka
Incessant Scribble

[Image via Amazon]

December 31, 2017

The Caine Prize for African Writing 2017 Anthology | Book Review

Another year, another Anthology from the Caine Prize for African Writing. Reading the 2015 Caine Prize Anthology was such a good experience I decided to review it every year in December. This year's winner of the Caine Prize for African Writing is Sudanese author Bushra al-Fadil with his short story, The Story of the Girl Whose Birds Flew Away. The 2017 Anthology contains five shortlisted stories and eleven stories from the annual writer's workshop. Let's begin!

2017's Shortlisted Stories
Lesley Nneka Arimah's (Nigeria) Who Will Greet You at Home opens this years collection. It's a beautifully written, moving and haunting tale that I fell in love with when I read her short story collection, What It Means When a Man Falls From the Sky, in April of this year. She announced on Twitter a few months ago that it will be adapted into a film and I honestly can't wait. FARAFINA is her Nigerian publisher and they released her work just last month. You need to read this short story and you need to read What It Means When a Man Falls From the Sky. Lesley's writing is a gift from the gods and I eagerly await her future offerings.

Chikodili Emelumadu (Nigeria) follows Lesley's lead with the haunting tale, Bush Baby. I've always been a little unsure about African tales like this but this tale is one to remember especially with that chilling last sentence. Love it!

The third story in this line up is The Story of the Girl Whose Birds Flew Away by Bushra al-Fadil (Sudan). I was desperate for this story to end. It was such a bore. I usually try to avoid spoilers and news about the Caine Prize so I can be surprised at the end of the year when I put together this review and so it wasn't even until I was done with this anthology that I discovered he was this years winner. His story was a waste of my time.

Arinze Ifeakandu (Nigeria) wrote God's Children Are Little Broken Things. The first time I saw that title was on Facebook via the literary blog, Brittle Paper, and I've been in love with that title just because of its literal translation. The title alone and its subject matter seemed to promise a good read and maybe a good cry but it delivered neither. After reading this tale about forbidden love set in one of the most dangerous places to love the same sex - Nigeria - I felt nothing. Nothing. Nothing. Zilch. That in itself is a feat. This story did not hit any spots whatsoever. The only thing I found remotely interesting was that it was set in the University of Nigeria, my old alma mater. This tale was very disappointing.

The Virus was written by Magogodi oaMphela Makhene (South Africa). I just couldn't get through this story. I couldn't. I'm a little embarrassed that I couldn't muscle through it but at the same time it's freeing to say I couldn't. Does that make any sense? I hate the title. After a few pages I checked the page count, skimmed through its pages and just moved on.

Writers' Workshop Stories 2017
Fidel, written by Ethiopia's Agazit Abate, was a tale I did not "get" or care for so I moved on after reading a few pages.

By the time I got to The Secret Language of Vowels by Abdul Adan (Somalia/Kenya) I had settled into a pattern. I read the first page just to get a "taste" of the story then finding it severely deficient I rush to count how many pages of prose I have to get through in order to be free. The Caine Prize 2017 has more dead stories than other collections so far. I gave up on this story too.

Lesley Nneka Arimah (Nigeria) rushed in to save me with the amazing, amazing, amazing, amazing, amazing short story Shells.  I'm not even done with the first paragraph and I'm arrested by her storytelling. I even paused during my reading to Google "can birds eat crabs". Crabs are supposed to be impenetrable and threatening to a degree so I couldn't see how a bird could feast on it. Anyway, I digress. Lesley's writing is gorgeous. Her imagination is breathtaking and she "brings it" every. single. time. Every time she steps up she freaking delivers. I read Shells greedily, flipping page after page after page, lapping it all up as my heart pounded. The best stories always seem so short! When I got to the end of the tale I put down the collection and I wanted to cry. I honestly wanted to just bawl. So many things about that story moved me. It's sad, unforgettable and haunting. Why isn't this in her story story collection What Happens When a Man Falls From the Sky??? I wanted to reread it but I put it off for after I finished the anthology, a reward for completing this task. Much kudos to Lesley. I'm a fan.

Tendai Huchu (Zimbabwe) wrote An Unperson Stands on the Cracked Pavement Contemplating Being and Nothingness. If you follow this blog you've read my review of Tendai's Huchu terrific debut novel The Hairdresser of Harrare. I love Tendai but I didn't have any patience for this story. It’s boring and wordy like its title and so I hurried off to the next story.

My Mother's Project by Lydia Kasese (Tanzania) is an interesting read.

I felt This Is How the Heart Breaks into a Thousand Pieces and Then Folds into a Stone by Lidudumalingani (South Africa). The death of a child fractures a family and almost suffocates it. It's a good story.

Right off the bat The Goddess of Mtwara by Esther Karin Mngodo (Tanzania) is riveting, humorous. I enjoyed it.

The Storymage by Cheryl S. Ntumy (Ghana/Botswana) is terrific. I'm really impressed by this one. I'm hoping it gets adapted to film. Applause, applause, applause.

Five Is Not Half of Ten by Daniel Rafiki (Rwanda) is a good story too. I'm not crazy about the ending but it's good.

In That Little House in the Village by Zaka Riwa (Tanzania) two men hide in a house to do something that's forbidden. It's a good tale.

In Family Ties by Darla Rudakubana (Rwanda) estranged siblings come together for the sake of their father. I like it.

Most Memorable Stories
1) Shells by Lesley Nneka Arimah
2) Who Will Greet You At Home by Lesley Nneka Arimah
3) Bush Baby by Chikodili Emelumadu

I loved the opening story and the closing story was good enough but there were fewer hits and more misses in this collection. This was a great year for African writing and I can't wait to see what 2018 brings. Have a wonderful and fulfilling and Happy New Year!

READ:
The Caine Prize for African Writing 2015 Anthology | Book Review
The Caine Prize for African Writing 2016 Anthology | Book Review

[Image via CainePrize]

December 07, 2016

The Caine Prize for African Writing 2016 Anthology | Book Review

The Caine Prize for African Writing is a prestigious literary prize awarded to African writers annually beginning in the year 2000. Each year an anthology comprising of shortlisted stories and workshop stories is published by New Internationalist in the UK and in 8 African countries (South Africa, Nigeria, Kenya, Zimbabwe, Ghana, Zambia, Cameroon & Uganda). This is my second year reviewing the anthology series on my blog. Last year's anthology was titled Lusaka Punk and Other Stories. This year's anthology is titled The Daily Assortment of Astonishing Things and Other Stories. The collection begins with the five shortlisted stories and then continues with the twelve stories penned by the workshop participants. Here we go.

Shortlisted Stories 2016
Somalian/Kenyan author Abdul Adan's The Lifebloom Gift opens this year's collection. It's an odd story. It's not long before I know I don't like it and so I check quickly to see how many pages it is (11 pages) and then I continue. The protagonist worked as a TSA attendant until he was fired about two days ago upon accusations of inappropriately touching a traveler during an airport frisk. He denies the charges then goes on to narrate other incidences of touching strangers without their consent including a man (who seems a bit challenged) called Ted Lifebloom. I wasn't comfortable with this story.

Lesley Nneka Arimah (Nigeria) follows with What It Means When a Man Falls from the Sky. Nneoma is a mathematician but a special kind. She can calculate grief and pain and from those calculations she and her colleagues can make it all go away. It's a pricey procedure obviously. Contrary to my initial fears I liked the story.

Tope Folarin's (Nigeria) short story is called Genesis. This is my first work by Tope Folarin and something about his narration and the story just made me sit up a little, readying myself for a goood story. The protagonist tells of his childhood in Utah, U.S.A. It's one spent in terror of his mentally ill mother. Alternately pleasant and abusive she is a threat to her spouse and two sons. Our narrator observes meltdowns and the physical abuse of his father. He's the big brother absorbing double portions of physical and emotional abuse just to protect his little brother. Tope Folarin's incredible. I'm sooo impressed. Love this story.

Bongani Kona (Zimbabwe) penned At Your Requiem. It's a tale of two cousins who grew up in the same house as brothers fighting for the love an affection of a twisted mother. They grow older and the toxins and big secret from their childhood cause them to spiral out of control as they try to escape via substance abuse. It doesn't seem like their relationship will be repaired anytime soon.

Memories We Lost is by Lidudumalingani (South Africa). Lidudumalingani is the WINNER of the 2016 Caine Prize for African Writing. It's a tale of two sisters. One of them battles mental illness and everyone in their community 's at loss on how to handle this problem so she's subjected to all sorts of rituals. The narrating sister begins to interfere with the medicinal treatment because her sister seems more alive without them. Once she gets wind of the latest treatment proposal she takes matters into her own hands. Memories We Lost is okay.

Workshop Stories 2016
The curiously titled His Middle Name Was Not Jesus was penned by NoViolet Bulawayo (Zimbabwe). We all know Bulawayo. I LOVE her book We Need New Names and I reviewed it in 2013. Mukaka works at a wildlife resort in Zambia and he's infatuated with a lady currently at the resort. He mistakes her tenderness for something deeper and he doesn't handle it well in the end. For a tale by Bulawayo I'm surprised I did not respond sooner to this story.

In Koba Umwine - Peel It Yourself by Chilufya Chilangwa (Zambia), Mumbi's marriage seems set to crumble just three weeks after her nuptials because of an infidelity. A phone call from her mom helps her realize what's important to her.

The Goat is Tope Folarin's second submission and it stands out in the workshop short story lineup. In this boy's family the father is the problem and his mother does her best to mitigate the effects of his fathers rashness. I love this story.

Walking was written by Nigeria's Elnathan John. I remember him from last year's collection and I reviewed his debut novel Born On a Tuesday this past October. In Walking an overweight man exercises daily to fight the weight off. We're privy to all his thoughts & his judgement of other regulars on his exercise route. He's a big man with just as many insecurities, grudges, and issues as the rest of us. I like it.

In Shiko by Billy Kohora, a bunch of old school friends reunite. These boys are in their forties and secondary/high school was a long, long time ago. This is no Real Housewives of Atlanta reunion. This group, at a bar drinking beer and eyeing women, lacks members with any star quality. It's an lackluster band of friends. The business opportunity they meet to discuss is very shady. The protagonist tries to borrow money from his girlfriend and then his dad but that doesn't work. The only thing he's able to bring to the table is secret company intel. During their gathering at a drinking spot that's an office during the day and a brothel at night, one of them calls the narrator a "homo" and everyone freezes. My first thought was "ohh damn... here comes the drama" but... It's a decent story.

The Wandering Festival was written by Bwanga "Benny Blow" Kapumpa (Zambia). Here the protagonist attends "The Wandering Festival" so he can write about it. He's hoping that writing about this once in a decade event will help revitalize his writing career. I just wanted this story to be over.

In the Garden was written by FT Kola (South Africa), another name I recognized from last year's anthology collection. I did not like this story or its narration. There's a marble palace with handmaidens and limestone sphinx sculptures and "precious silk" and stuff. It's possible that this borrows from the ancient empire for artistic purposes. It's definitely not my thing.

Timwa Lipenga of Malawi wrote Duty. The main character heads to prison to see her father. The visits are tough but more so because of the reason he's incarcerated. This is a story that had me wanting more. I like it.

77 Steps by Kafula Mwila (Zambia) isn't engaging. From the beginning the protagonist seems tense. He has questions about his history and the death of his mother years back. Unable to get answers at home he goes out to seek them.

Space II is by Masande Ntshanga (South Africa). Here's a laid back male character whose life seemed promising in the beginning per his father. He hasn't come anywhere close to his potential after all these years. His is a life of prostitutes and prescription drug abuse. I'm surprised I liked this story. It wasn't exciting or moving but it was good in the end.

The titular story of this collection The Daily Assortment of Astonishing Things was written by Okwiri Oduor (Kenya). Immediately it's clear I have my favorite story. Dudu is a little monster who constantly exasperates his mom and terrorizes little kids around him. He steals and destroys everything in his path. During one of his rampages he captured a chicken, broke its wing and burst open its head. He's wild and crazy and unmanageable. This story is very entertaining. I love it. I love it. I love it. I look forward to future literary offerings from Okwiri Oduor.

Namwali Serpell (Zambia) closes this anthology with her story Zo'ona. She's another familiar name I remember from last year's anthology. I LOVE this story sooo much. It starts out with the early morning receipt of an email and before the end of the day lives have been ruined. We hop all over with Serpell from character to character to see the ripple effect of a simple error. I LOVE this story a lot.

Most Memorable
1) The Daily Assortment of Astonishing Things by Okwiri Uduor
2) Zo'ona by Namwali Serpell
3) Genesis by Tope Folarin
4) The Goat by Tope Folarin

As always this is an eclectic compilation of stories from the African continent. Much kudos to all the publishers for putting this together in a tidy little collection. Last year I loved the opening short story but disliked the closing short story of the 2015 anthology. I had felt that the closing short story then wasn't memorable enough to close the collection. This year the reverse is the case. I really like the closing story but not the opening story. Once again I'm glad I chose to review this anthology series annually. I can't wait to see what 2017 brings. Happy Holidays!!

READ: 
The Caine Prize for African Writing 2015 Anthology | Book Review
[Image via Amazon]

December 28, 2015

The Caine Prize for African Writing 2015 Anthology | Book Review

The Caine Prize for African Writing 2015 anthology is titled Lusaka Punk and Other Stories. It contains seventeen short stories. Five of the stories were shortlisted for the 2015 Caine Prize while the remaining twelve were authored by participants of the 2015 Caine Prize African Writers' Workshop. I'll begin with the shortlisted stories.

Shortlisted Stories 2015
Nigeria's Segun Afolabi opens this collection with his short story The Folded Leaf. It's about a group of physically challenged Nigerians who travel by bus to receive miracles at the spiritual retreat of famous evangelist, Pastor Fayemi. They head out with hearts full of hope and pockets full of donations raised by an entire church over a period spanning several months. They're the poor ones who scrape up money out of the little they have because the pastors have stressed the importance of giving monetary donations in direct proportion to the amount blessings you want to receive. When it's all over the group heads back home in silence. It's no surprise there's such a distrust of religion worldwide. We need to do something about these globetrotting monsters who swindle gullible devotees of millions in exchange for "blessings" and then use those donations to buy private jets and mansions in different countries. Segun Afolabi is amazing and he's a good choice to open this collection.

Elnathan John (Nigeria) follows Afolabi's lead with the tale Flying. I love the first five sentences of Flying.  In this tale, a young boy named Tachio lives in an orphanage under the proprietorship of Aunty Keturah. She's the one person he can confide in and she provides some sort of stability in an otherwise routine existence. I won't say more. I like it a lot. It's simple and quite moving.

FT Kola (South Africa) follows with A Party for the Colonel, a story about a troubled Indian family in apartheid South Africa. Ibrahim is a man who works really hard to make something out of nothing for himself and his family. He's sure that wealth is the ticket out of oppression and into respectable ranks. It's a story that seems doomed from the beginning and I like it a lot.

Masande Ntshanga (South Africa) penned Space, a story about a gang of young boys who run around a lot without parental supervision. The ending felt abrupt and thus the story felt somewhat incomplete. I didn't really get this story.

Namwali Serpell (Zambia) penned The Sack. An elderly man lives alone with a young boy named J. They've both lost Nana, a woman they both cared about. Serpell shuffles between dreams and the present and it was disorienting. I'm not really sure what's going on in this story...

Workshop Stories 2015
#Yennenga was written by Jemila Abdulai (Ghana). A well-known journalist has been arrested for murder. Her arrest has the nation taking sides with social media hashtags #FreeYennenga vs #DeathToYennenga. The public has its theory on how she rose to fame and whether or not she's innocent of the charges brought up against her but only Yennenga knows the truth. It's a decent story.

The Road Workers of Chalbi was written by Dalle Abraham (Kenya). I loved it immediately. Chinese workers arrive to a little village, the villagers marvel at their proficiency and gossip about their foreign habits. Everyone co-exists in peace for a while but you already know this can't possibly last forever. It's an interesting tale and one that I like.

Nkiacha Atemnkeng (Cameroon) wrote Wahala Lizard. I got excited a few minutes into it because it seemed fresh and different. An aircraft passenger falls terribly sick and is overheard saying that he hopes he hasn't caught the ebola virus thereby sending the plane's occupants into a panic. A story about an aircraft passenger with ebola, aboard a plane? I prepped myself for the drama I was sure would enfold. There wasn't enough drama to satiate me. There was a discussion among the passengers and then the tale veers off from where you think it's all headed.

Diane Awerbuck (South Africa) wrote Nehushtan, a tale centered around Malan. Malan is an engineer currently working on the construction of a dam located close to a small village. He's still trying to cope with the death of his only child and the effects of that loss on his marriage. He's also concerned about the quality of work on the construction project, a responsibility recently passed on to him after the previous engineer bailed out. I like this story.

Swallowing Ice by Nana Nyarko Boateng (Ghana) is that "sweet center" buried deep at page 157 in this 267 paged collection. In Swallowing Ice a journalist, who writes under the pseudonym "Vivian Quack" for Ghana's Daily Times, lives out her routine existence mostly in her apartment. Everything seems fine until life happens. I love this story so much. I paused for a while before moving on. I'll keep an eye for out anything by Boateng. Much respect.

Efemia Chela (Ghana/Zambia) wrote Lusaka Punk, the titular story of this year's collection. It's about teenagers living life during the holiday. Without much to do they focus their energies on teenage proclivities and punk rock. It's not an exciting page-turner but looking back now I appreciate Chela's work.

The Writing in the Stars was written by Jonathan Dotse (Ghana). This story starts out with a character called "Guardian", there are people on horses, wearing cloaks, bearing swords, and there's a kingdom that needs to be protected... Right from the first page I started thinking: Oh gawdd... This is not really my thing... When will this end... The guardian part of the story represented the past and after that introduction we're taken forward in time to the year 2036, the present. Sarah's working on her second Ph.D. and she has discovered a book buried deep in a shrine. The book is encrypted and she works hard to decode it because she believes it holds some secret from an ancient past. This is a creative story but I appreciated it after I was done reading it.

Burial was written by Nigeria's Akwaeke Emezi. In Burial, a young girl deals with the life-changing death of her beloved father. His burial brings in relatives from all corners and this coming together leads to her discovery of some troubling secrets. I love it a lot. Emezi writes really beautifully. I can't wait to read the novel she's currently working on.

In The Song of a Goat by Pede Hollist (Sierra Leone), a young girl arrives home to tell her mom she has been suspended from school for two weeks. She's surprised when her mom sits her down for a talk instead of punishing her immediately. The talk is a trip down memory lane, a trip her very disappointed mother deems necessary and possibly more effective than thrashing Stella.

Princess Sailendra of Malindi by Kiprop Kimutai of Kenya. A crazy girl believes she's a princess. She and her brother seem to be wanderers and they do drugs. It's a bit confusing and it ends as badly as you'd expect. I don't like this story. It's so murky as though it needs to be read twice but much more slowly the second time.

In Blood Match by Jonathan Mbuna, Hilda needs a kidney transplant to save her life. Her husband and a few relatives offer to help but their blood type and hers aren't compatible. Salvation comes from an unexpected source and leads to an unforeseen revelation.

Colored Rendition by Aisha Nelson (Ghana) closes out this collection but not at all in the amazing, mind-blowing way a Caine Prize anthology should end. A small school welcomes Marcia and Cliff, two teenage lovers who've come down to Africa for philanthropic purposes. The school doesn't seem to be any of the things the expect it to be. I don't really know what the focus of Colored Rendition was. I didn't like it at all. It's another murky one.

Most Memorable Stories
1) Swallowing Ice by Nana Nyarko Boateng (Ghana)
2) Burial by Akwaeke Emezi (Nigeria)
3) Flying by Elnathan John (Nigeria)
4) The Folded Leaf by Segun Afolabi (Nigeria)

The Caine Prize for African Writing 2015 anthology is a very eclectic collection. I believe the opening and closing stories are important considerations for any anthology and I do not like the story chosen to close out this collection. It wasn't at all strong and memorable. I'm glad I chose the Caine Prize anthology and I'm excited that I'll be reviewing it every year. I can't wait to see what literary treasures 2016 brings. Have an amazing and fulfilling New Year everyone!

[Image via Amazon]

December 19, 2015

The Caine Prize for African Writing 2015 Anthology

I discovered the African Roar anthology series last year and I reviewed the fifth edition, African Roar 2014, on this blog on December 19th, 2014. It's a series that's put together by StoryTime Publishing and edited by the amazing Ivor Hartman & Emmanuel Siguake. I loved 2014 edition and I promised to make it a goal to review every subsequent edition in the series. I kept an eye out all year, searching Amazon, frequenting the StoryTime blog and checking its Facebook page for updates so I could plan my winter break reading but I still haven't seen any mentions of African Roar 2015. I honestly hope the series hasn't been discontinued. If you have any clues or details please leave me a comment or email me: incessantscribble@gmail.com.

It's still my goal to review at least one anthology series on my blog site every year. In the absence of the African Roar series, I'll review this years Caine Prize for African Writing anthology series and I will try hard to review all future editions in the month of December. I love this book cover. For some reason I thought of ankara cloth when I first saw the book cover (pictured). The school semester just ended and I need a few days to recover before I start reading all the novels I have lined up. I'll try to have my review of the Caine Prize for African Writing 2015 anthology before the end of this month. If that isn't possible then I'll post it up some time in 2016.

Have a wonderful winter break and a Happy New Year!

READ: African Roar 2014 - My Thoughts

[Image via Amazon]