December 28, 2015

The Caine Prize for African Writing 2015 Anthology | Book Review

The Caine Prize for African Writing 2015 anthology is titled Lusaka Punk and Other Stories. It contains seventeen short stories. Five of the stories were shortlisted for the 2015 Caine Prize while the remaining twelve were authored by participants of the 2015 Caine Prize African Writers' Workshop. I'll begin with the shortlisted stories.

Shortlisted Stories 2015
Nigeria's Segun Afolabi opens this collection with his short story The Folded Leaf. It's about a group of physically challenged Nigerians who travel by bus to receive miracles at the spiritual retreat of famous evangelist, Pastor Fayemi. They head out with hearts full of hope and pockets full of donations raised by an entire church over a period spanning several months. They're the poor ones who scrape up money out of the little they have because the pastors have stressed the importance of giving monetary donations in direct proportion to the amount blessings you want to receive. When it's all over the group heads back home in silence. It's no surprise there's such a distrust of religion worldwide. We need to do something about these globetrotting monsters who swindle gullible devotees of millions in exchange for "blessings" and then use those donations to buy private jets and mansions in different countries. Segun Afolabi is amazing and he's a good choice to open this collection.

Elnathan John (Nigeria) follows Afolabi's lead with the tale Flying. I love the first five sentences of Flying.  In this tale, a young boy named Tachio lives in an orphanage under the proprietorship of Aunty Keturah. She's the one person he can confide in and she provides some sort of stability in an otherwise routine existence. I won't say more. I like it a lot. It's simple and quite moving.

FT Kola (South Africa) follows with A Party for the Colonel, a story about a troubled Indian family in apartheid South Africa. Ibrahim is a man who works really hard to make something out of nothing for himself and his family. He's sure that wealth is the ticket out of oppression and into respectable ranks. It's a story that seems doomed from the beginning and I like it a lot.

Masande Ntshanga (South Africa) penned Space, a story about a gang of young boys who run around a lot without parental supervision. The ending felt abrupt and thus the story felt somewhat incomplete. I didn't really get this story.

Namwali Serpell (Zambia) penned The Sack. An elderly man lives alone with a young boy named J. They've both lost Nana, a woman they both cared about. Serpell shuffles between dreams and the present and it was disorienting. I'm not really sure what's going on in this story...

Workshop Stories 2015
#Yennenga was written by Jemila Abdulai (Ghana). A well-known journalist has been arrested for murder. Her arrest has the nation taking sides with social media hashtags #FreeYennenga vs #DeathToYennenga. The public has its theory on how she rose to fame and whether or not she's innocent of the charges brought up against her but only Yennenga knows the truth. It's a decent story.

The Road Workers of Chalbi was written by Dalle Abraham (Kenya). I loved it immediately. Chinese workers arrive to a little village, the villagers marvel at their proficiency and gossip about their foreign habits. Everyone co-exists in peace for a while but you already know this can't possibly last forever. It's an interesting tale and one that I like.

Nkiacha Atemnkeng (Cameroon) wrote Wahala Lizard. I got excited a few minutes into it because it seemed fresh and different. An aircraft passenger falls terribly sick and is overheard saying that he hopes he hasn't caught the ebola virus thereby sending the plane's occupants into a panic. A story about an aircraft passenger with ebola, aboard a plane? I prepped myself for the drama I was sure would enfold. There wasn't enough drama to satiate me. There was a discussion among the passengers and then the tale veers off from where you think it's all headed.

Diane Awerbuck (South Africa) wrote Nehushtan, a tale centered around Malan. Malan is an engineer currently working on the construction of a dam located close to a small village. He's still trying to cope with the death of his only child and the effects of that loss on his marriage. He's also concerned about the quality of work on the construction project, a responsibility recently passed on to him after the previous engineer bailed out. I like this story.

Swallowing Ice by Nana Nyarko Boateng (Ghana) is that "sweet center" buried deep at page 157 in this 267 paged collection. In Swallowing Ice a journalist, who writes under the pseudonym "Vivian Quack" for Ghana's Daily Times, lives out her routine existence mostly in her apartment. Everything seems fine until life happens. I love this story so much. I paused for a while before moving on. I'll keep an eye for out anything by Boateng. Much respect.

Efemia Chela (Ghana/Zambia) wrote Lusaka Punk, the titular story of this year's collection. It's about teenagers living life during the holiday. Without much to do they focus their energies on teenage proclivities and punk rock. It's not an exciting page-turner but looking back now I appreciate Chela's work.

The Writing in the Stars was written by Jonathan Dotse (Ghana). This story starts out with a character called "Guardian", there are people on horses, wearing cloaks, bearing swords, and there's a kingdom that needs to be protected... Right from the first page I started thinking: Oh gawdd... This is not really my thing... When will this end... The guardian part of the story represented the past and after that introduction we're taken forward in time to the year 2036, the present. Sarah's working on her second Ph.D. and she has discovered a book buried deep in a shrine. The book is encrypted and she works hard to decode it because she believes it holds some secret from an ancient past. This is a creative story but I appreciated it after I was done reading it.

Burial was written by Nigeria's Akwaeke Emezi. In Burial, a young girl deals with the life-changing death of her beloved father. His burial brings in relatives from all corners and this coming together leads to her discovery of some troubling secrets. I love it a lot. Emezi writes really beautifully. I can't wait to read the novel she's currently working on.

In The Song of a Goat by Pede Hollist (Sierra Leone), a young girl arrives home to tell her mom she has been suspended from school for two weeks. She's surprised when her mom sits her down for a talk instead of punishing her immediately. The talk is a trip down memory lane, a trip her very disappointed mother deems necessary and possibly more effective than thrashing Stella.

Princess Sailendra of Malindi by Kiprop Kimutai of Kenya. A crazy girl believes she's a princess. She and her brother seem to be wanderers and they do drugs. It's a bit confusing and it ends as badly as you'd expect. I don't like this story. It's so murky as though it needs to be read twice but much more slowly the second time.

In Blood Match by Jonathan Mbuna, Hilda needs a kidney transplant to save her life. Her husband and a few relatives offer to help but their blood type and hers aren't compatible. Salvation comes from an unexpected source and leads to an unforeseen revelation.

Colored Rendition by Aisha Nelson (Ghana) closes out this collection but not at all in the amazing, mind-blowing way a Caine Prize anthology should end. A small school welcomes Marcia and Cliff, two teenage lovers who've come down to Africa for philanthropic purposes. The school doesn't seem to be any of the things the expect it to be. I don't really know what the focus of Colored Rendition was. I didn't like it at all. It's another murky one.

Most Memorable Stories
1) Swallowing Ice by Nana Nyarko Boateng (Ghana)
2) Burial by Akwaeke Emezi (Nigeria)
3) Flying by Elnathan John (Nigeria)
4) The Folded Leaf by Segun Afolabi (Nigeria)

The Caine Prize for African Writing 2015 anthology is a very eclectic collection. I believe the opening and closing stories are important considerations for any anthology and I do not like the story chosen to close out this collection. It wasn't at all strong and memorable. I'm glad I chose the Caine Prize anthology and I'm excited that I'll be reviewing it every year. I can't wait to see what literary treasures 2016 brings. Have an amazing and fulfilling New Year everyone!

[Image via Amazon]

December 19, 2015

The Caine Prize for African Writing 2015 Anthology

I discovered the African Roar anthology series last year and I reviewed the fifth edition, African Roar 2014, on this blog on December 19th, 2014. It's a series that's put together by StoryTime Publishing and edited by the amazing Ivor Hartman & Emmanuel Siguake. I loved 2014 edition and I promised to make it a goal to review every subsequent edition in the series. I kept an eye out all year, searching Amazon, frequenting the StoryTime blog and checking its Facebook page for updates so I could plan my winter break reading but I still haven't seen any mentions of African Roar 2015. I honestly hope the series hasn't been discontinued. If you have any clues or details please leave me a comment or email me:

It's still my goal to review at least one anthology series on my blog site every year. In the absence of the African Roar series, I'll review this years Caine Prize for African Writing anthology series and I will try hard to review all future editions in the month of December. I love this book cover. For some reason I thought of ankara cloth when I first saw the book cover (pictured). The school semester just ended and I need a few days to recover before I start reading all the novels I have lined up. I'll try to have my review of the Caine Prize for African Writing 2015 anthology before the end of this month. If that isn't possible then I'll post it up some time in 2016.

Have a wonderful winter break and a Happy New Year!

READ: African Roar 2014 - My Thoughts

[Image via Amazon]

December 07, 2015

Radiance of Tomorrow by Ishmael Beah | Book Review

Years after the end of the war, the people of Imperi trickle back home using the many winding, snake-like paths leading to their village. The first arrivals return to find a deserted village strewn with lots of human bones. It's the bones of those who couldn't escape quickly enough on the afternoon that the faraway war finally came to Imperi. Among the arrivals are the elderly, the young, amputees, the people who amputated the amputees, and victims of rape carrying babies. They all hope to reunite with their loved ones and as they come into town they search for familiar faces. The war has left everyone feeling vulnerable and distrustful and they're cautious about getting attached to the new normal because they fear things could change at any time. So as they work hard to rebuild their lives they keep an eye out for plundering enemies from the outside, completely blind to the monsters amongst them who would turn against them in exchange for the most basic of comforts. Change comes to Imperi but it's not the kind they anticipated or the sort of change they desire.

I approached this novel warily when I found out it was another war story because I was worried it might be a rehash of sorts. However, I picked it up because Ishmael Beah's firsthand account of war in his debut novel A Long Way Gone: Memoirs of a Boy Soldier was incredibly moving and very memorable. In Radiance of Tomorrow, the combination of the plotline and the narrative angle left me deeply dissatisfied. If A Long Way Gone: Memoirs of a Boy Soldier is a ten on a scale of one to ten then Radiance of Tomorrow is a three. Radiance of Tomorrow is a fairly interesting novel but very, very, very putdownable.

READ: A Long Way Gone: Memoirs of a Boy Soldier by Ishmael Beah - My Thoughts

[Image via Amazon]